|
Dead Horse is the story of the murder of an heiress married to noted pulp writer Raul Whitefield - set in New Mexico in the 1930's.
|
Welcome to the web site of author |
|
This page updated: 01-Aug-2007 10:40 PM
The Mankiller of Poojegai and other stories Stories ranging from 19th century Italy to modern Africa. Crippen & Landru, August 2007
Dead Horse About: Dead Horse is the story of the murder of an heiress married to noted pulp writer Raul Whitefield - set in New Mexico in the 1930's. Reviews: The latest from one of crime fiction's most reliable publishers of edgy noir goes in a different, but delightfully entertaining, direction: a historical mystery drawing on the life of hard-boiled pulp author Raoul Whitfield, who, in the 1920s, was the most highly paid mystery writer in the country. In 1933, Whitfield married socialite Emily Davies Vanderbilt Thayer, and the pair lived the money-guzzling jazz-age life in a sumptuous home near Las Vegas, New Mexico. After a tempestuous separation in 1935, Emily died, apparently a suicide, though many thought she was murdered. Whitfield, who quit writing after the marriage, never escaped the cloud of suspicion surrounding his wife's death. Genre veteran Satterthwait offers his version of what might have happened, jumping back and forth in time to tell the story of the couple's storybook romance and its tragic denouement. The alternate history is completely credible, and the portrayal of a genre star brought down by the high life is addictively readable (especially for its links to Dashiell Hammett, who may have based Nick in The Thin Man on Whitfield). Great fun, particularly for pulp fans. - Booklist Having put a fictional spin on Lizzie Borden in Miss Lizzie and Oscar Wilde in Wilde West , Satterthwait ingeniously reimagines another real-life event?the mysterious death of Emily Davies Vanderbilt Thayer Whitfield, the socialite second wife of pulp-fiction writer Raoul Whitfield, at their desert home near Las Vegas (a ranch called Dead Horse complete with polo field, tennis courts and an unused writer's studio) in the summer of 1935. By that time the couple had separated, and Raoul was living in Los Angeles. The hastily altered death scene, the coroner's verdict of suicide, and the influence of a wealthy and mysterious friend of the Whitfields make any investigation problematic, but Sheriff Tom Delgado doggedly pursues the truth. In spare but effective prose, Satterthwait depicts the Whitfields' flamboyant life together and Raoul's later life alone while raising some interesting conjectures about what was in all probability an unpunished crime. - Publishers Weekly Articles: "Writer, socialite create N.M. romance to die for" Black Mask Magazine: "Raul Whitfield: Black Mask's Forgotten Man" |
|
|